阅读打卡营第二天

第一打卡点： 速记第二组核心词，15个，大约 3-5 分钟完成

四级核心词

在FastPass速通-单词练习中，完成“四级核心词汇-组2”

六级核心词

在FastPass速通-单词练习中，完成“六级核心词汇-组2”

第二打卡点： 阅读教案+观看方法讲解视频，大约 30-40 分钟完成

仔细阅读

一、解题步骤

仔细阅读部分要求考生深入理解文章内容并准确答题，建议按照以下步骤操作：

• 步骤一：关键词定位
  • 目的：读懂题意，划出题干关键词（不看选项）：
    • 找出能够在文章中容易定位的关键词，如专有名词、标点符号、数字等。
    • 优先选择独一无二的词汇或短语（例如比较级/最高级、专业术语等）。
    • 名词和名词短语优先，若有并列结构或动态变化时可进行调整。
• 步骤二：精确定位原文
  • 目的：在文章中找到关键词的位置并阅读理解。
  • 如果无法准确定位，可以：
    • 先做下一题，然后根据题目顺序往回查找。
    • 或通过选项关键词进一步确定文章中的对应句子。
  • 阅读顺序建议：
    • 定位句（包含关键词的句子）
    • 前后文句子
    • 段首和段尾句
• 步骤三：比对选项与原文
  • 同义替换是正确答案的常见特征，注意选项是否通过同义词或相似表达进行转述。
  • 比对时注意主谓宾结构，特别是选项与原文信息是否一致。
  • 进一步比对修饰成分（定语、状语），优先选择概括性高的选项。
  • 谨慎选择极端或片面的选项，通常正确答案较为中立和准确。

二、方法讲解

注：视频前半部分为方法讲解，后半部分为真题带练，可以根据自己的情况进行倍速、选择观看。

三、例题解析

Questions 46 to 50 are based on the following passage.

What's the place of art in a culture of inattention? Recent visitors to the Louvre report that tourists can now spend only a minute in front of the Mona Lisa before being asked to move on. Much of that time, for some of them, is spent taking photographs not even of the painting but of themselves with the painting in the background.

One view is that we have democratised tourism and gallery-going so much that we have made it effectively impossible to appreciate what we've travelled to see. In this oversubscribed society, experience becomes a commodity like any other. There are queues to climb Mt Jolmo Lungma as well as to see famous paintings. Leisure, thus conceived, is hard labour, and returning to work becomes a well-earned break from the ordeal.

What gets lost in this industrialised haste is the quality of looking. Consider an extreme example, the late philosopher Richard Wollheim. When he visited the Louvre, he could spend as much as four hours sitting before a painting. The first hour, he claimed, was necessary for misperceptions to be eliminated. It was only then that the picture would begin to disclose itself. This seems unthinkable today, but it is still possible to organise. Even in the busiest museums, there are many rooms and many pictures worth hours of contemplation which the crowds largely ignore.

Sometimes the largest crowds are partly the products of bad management; the Mona Lisa is such a hurried experience today partly because the museum is being reorganised. The Uffizi in Florence, another site of cultural pilgrimage, has cut its entry queues down to seven minutes by clever management. And there are some forms of art, those designed to be spectacles as well as objects of contemplation, which can work perfectly well in the face of huge crowds.

Olafur Eliasson's current Tate Modern show, for instance, might seem nothing more than an entertainment, overrun as it is with kids romping (喧闹地玩耍) in fog rooms and spray mist installations. But it's more than that: where Eliasson is at his most entertaining, he is at his most serious too, and his disorienting installations bring home the reality of the destructive effects we are having on the planet—not least what we are doing to the glaciers of Eliasson's beloved Iceland. Marcel Proust, another lover of the Louvre, wrote: “It is only through art that we can escape from ourselves and know how another person sees the universe, whose landscapes would otherwise have remained as unknown as any on the moon.” If any art remains worth seeing, it must lead us to such escapes. But a minute in front of a painting in a hurried crowd won’t do that.

46. What does the scene at the Louvre demonstrate according to the author?

A) The enormous appeal of a great piece of artistic work to tourists.

B) The near impossibility of appreciating art in an age of mass tourism.

C) The ever-growing commercial value of long-cherished artistic works.

D) The real difficulty in getting a glimpse at a masterpiece amid a crowd.

47. Why did the late philosopher Richard Wollheim spend four hours before a picture?

A) It takes time to appreciate a piece of art fully.

B) It is quite common to misinterpret artistic works.

C) The longer people contemplate a picture, the more likely they will enjoy it.

D) The more time one spends before a painting, the more valuable one finds it.

48. What does the case of the Uffizi in Florence show?

A) Artworks in museums should be better taken care of.

B) Sites of cultural pilgrimage are always flooded with visitors.

C) Good management is key to handling large crowds of visitors.

D) Large crowds of visitors cause management problems for museums.

49. What do we learn from Olafur Eliasson's current Tate Modern show?

A) Children learn to appreciate art works most effectively while they are playing.

B) It is possible to combine entertainment with appreciation of serious art.

C) Artworks about the environment appeal most to young children.

D) Some forms of art can accommodate huge crowds of visitors.

50. What can art do according to Marcel Proust?

A) Enable us to live a much fuller life.

B) Allow us to escape the harsh reality.

C) Help us to see the world from a different perspective.

D) Urge us to explore the unknown domain of the universe.

答案与解析：

46. B

题目：What does the scene at the Louvre demonstrate according to the author?

定位词： "scene at the Louvre" "author"

解析： 在文中定位到第一段，作者提到 "we have democratised tourism and gallery-going so much that we have made it effectively impossible to appreciate what we've travelled to see"。这表明在大众旅游的时代，欣赏艺术变得几乎不可能，因此答案为[B]。

47. A

题目：Why did the late philosopher Richard Wollheim spend four hours before a picture?

定位词： "Richard Wollheim" "four hours"

解析： 在文中定位到第三段，提到 "The first hour, he claimed, was necessary for misperceptions to be eliminated. It was only then that the picture would begin to disclose itself"。这说明他认为要完全欣赏一幅画需要时间，因此答案为[A]。

48. C

题目：What does the case of the Uffizi in Florence show?

定位词： "Uffizi in Florence"

解析： 文中第四段提到 "The Uffizi in Florence... has cut its entry queues down to seven minutes by clever management"。这表明良好的管理是处理大批游客的关键，因此答案为[C]。

49. B

题目：What do we learn from Olafur Eliasson's current Tate Modern show?

定位词： "Olafur Eliasson" "Tate Modern show"

解析： 文中第五段提到 "where Eliasson is at his most entertaining, he is at his most serious too"，说明他将娱乐性与严肃艺术的欣赏结合了起来，因此答案为[B]。

50. C

题目：What can art do according to Marcel Proust?

定位词： "Marcel Proust" "art"

解析： 文中第六段引用了Proust的话 "It is only through art that we can escape from ourselves and know how another person sees the universe"。这表明艺术能够帮助我们从不同的视角看世界，因此答案为[C]。

第三打卡点：真题练习，尽量 10 分钟左右完成

四级阅读真题：23上①-Section C Passage One

六级阅读真题：23上①-Section C Passage One